Who’s ready for some Friday Questions?Gazzoo gets us started. I notice that beginning in season six of MASH, two chopper shots were changed in the opening credit sequence (the one under the main title, and the quick one before the chorus). The shots that were replaced had clearly shown bloody soldiers with their arms dangling...were those eliminated due to a complaint? No, just for a little variety. I said to Burt Metcalfe, the producer, “You can change anything but the shot of the hot nurse running towards us.” No, I don’t know her name.
UPDATE: Thanks to blog reader Curt Alliaume the mystery has been solved. Her name is Kathy Denny Fradella.Interestingly, the only day I was out at the ranch (where we filmed the exteriors) was the day they shot those new opening titles. I heard the whirring sound of the chopper blades, looked up, and it was just like Radar sees in the opening shot – there were the helicopters flying against the purple mountain range. Very cool but not as cool as being there the day they shot the
original opening titles.
From AJ Thomas: 
Ken, as a comedy writer and baseball announcer what are your thoughts on Bob Uecker in MAJOR LEAGUE? Do you ever wish you could just truly tell it like it s? I think he steals the entire movie. And all of his dialogue was improvised. Bob is one of the funniest people I know in
any field. He’s a national treasure and I still love listening to him call Milwaukee Brewer games on the radio.
As for wishing I could really “tell it like it is” when doing play-by-play, you bet. And believe me, that’s what’s going on between innings when the commercials are on and the mics are off.
Doug Thompson has a radio question:What was the single best piece of advice you received while in radio that you continued to use in your television/movie writing/directing career? It was advice by example, received by the late Gary Owens. Treat everyone with respect. We worked together at KMPC Los Angeles. He was the big afternoon jock and star of LAUGH IN (then the number one show in television). I was a lowly sports intern making minimum wage. And he treated me as if I was the station or network president.
It’s a practice I have always followed. Production assistants, background extras, cable pullers – they’re just as important as the stars. What it is really is just simple human decency. But being shown that much kindness from someone as big as Gary Owens made a huge impression on me.
The other thing I learned from radio was
always be on time. If you know radio people you know we are really punctual. Being late is not an option when you’re on the air live.
And from Bert in Petaluma: You've mentioned a few times the records that drove you crazy when DJing especially because you had to play them repeatedly. I'm curious if there were also records you played with the same frequency but yet still enjoyed.One summer when I was in high school I worked at a record store. Sgt. Pepper’s Lonely Hearts Club Band came out and we played it on a continual loop for twelve hours a day for the entire summer. I must’ve heard every cut at least 1,000 times. And I never got tired of it. I still could listen to that album over and over again.
Same with Pet Sounds by the Beach Boys,
Bridge Over Troubled Waters by Simon & Garfunkel, the Phil Spector Christmas album,
Both Sides Now by Judy Collins, the
Highway 61 Revisited LP by Dylan,
Layla by Derek & the Dominos,
Suzanne by Leonard Cohen, almost anything by Queen,
It’s Too Late by Carole King,
Billie Jean by the King of Pop, anything (but
Dock of the Bay) by Otis Redding, Year of the Cat by Al Stewart,
American Pie by Don McLean, and anything by Roy Orbison.
And then my all-time favorite Beatles song –
In My Life. That song kills me, as does
Caroline No by the Beach Boys.
What’s yours? Song or question?